diego x dora

The book is also known as "The Rustling Autumn Breeze Knows My Heart". In order to save her mother five years ago, Jiang Sese went to him and chose to never see her child again after giving birth to them. Five years later, an adorable child started pestering her for kisses, hugs, and asked to sleep together with her. Jiang Sese happily gave in to the child’s every request.

Urban myths and legends from all over America are condensed in this collection. Through its pages various spectra pass, as the Chupacabra invokes and enumerates in one of the poems: “Creatures of the night and the sun. Covered Lady, Muqui, Yasy Yeteré, Alligator Man, Kharisiri, Whistler, Widow, Telesita, Curupira, Tata Elf, Cadejo, Just Judge of the Night, Witch Monkey, Holy Death, Demon of Dover, Wendigo, Girl with a scarf, The Crying Girl. Creatures of the underworld, let us unite in this new era in which humanity has degenerated and is the scum of the universe”.

ENtities is a selection of the five best short stories from BegottEN and the five best stories from IdenTITIES. It includes the following: Family History, The Toad Who Was a Poet, The Cave, The Man in the Mirror, Dawn, The Dream, Inner Monsters (or Fable in One Act), The Night Walk, The Avaricious Man, Ants.<br><br>“Diego Maenza writes with certainty. Beings and situations that refer us to monsters located in those twisted paths of imagination and reality. These stories are tremendously deep because of the philosophical touches, surprising because of the subject matter and unexpected because of the endings”. (Carlos Ramos, Mexican writer) “His stories convey metaphysical ideas, they play with time and space; they try to make the minimum transcendent, the same nothing. They relocate us, they put us in different territories, they offer us the glances of lonely beings or human beings who must face destinies, even if their missions are not heroic, but only brush against a darkness that can break any spirit ”. (Iván Rodrigo Mendizábal, Ecuadorian writer and critic)

The #1 New York Times bestseller and a USAToday bestseller! A timely, crucial, and empowering exploration of racism--and antiracism--in America This is NOT a history book. This is a book about the here and now. A book to help us better understand why we are where we are. A book about race. The construct of race has always been used to gain and keep power, to create dynamics that separate and silence. This remarkable reimagining of Dr. Ibram X. Kendi's National Book Award-winning Stamped from the Beginning reveals the history of racist ideas in America, and inspires hope for an antiracist future. It takes you on a race journey from then to now, shows you why we feel how we feel, and why the poison of racism lingers. It also proves that while racist ideas have always been easy to fabricate and distribute, they can also be discredited. Through a gripping, fast-paced, and energizing narrative written by beloved award-winner Jason Reynolds, this book shines a light on the many insidious forms of racist ideas--and on ways readers can identify and stamp out racist thoughts in their daily lives.

EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.<br><br>Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.

"Can I taste you down there?" He said and I swallowed. "I want to claim you." His words disrupted my thoughts and I inhaled in a sharp breath. "When you fell on my hands before practically falling on the floor, I knew I just had to have you." His deep voice reverberated throughout the empty room. He was sounded confident—no he was confident. "Even if it's for a night." “I want to feel your skin on fire. I want to inhale the sharp of your breath as blood rushes through your body. Tell me bunny, are you wet right now?” He asked and I inhaled sharply. He growled. She was Fire, and he wanted to consume every bit of her. It was supposed to be a one night of fun, letting go and celebrating graduation from college. That was all Emma had bargained herself for. He was Gideon, the owner of the biggest club in New York and few other countries. A typical player? No that wasn't the type of man he was, but that didn't mean he didn't mind having some fun occasionally. Or maybe more than occasionally. What then happens when the one night of fun revolves into a forever when an unnerving situation binds both parties together? Would they be able to make the best out of the situation or would it turn out to be a disaster?