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Hannibal's Elephant Girl
Hannibal's Elephant Girl
Charley Brindley Literature&Fiction
Hannibal must transport sixty war elephants from Carthage in North Africa, across the Middle Sea to Iberia. He has to train his people to accomplish this difficult task. The first part of this project is to load one elephant on a ship and sail to the east on the eighteen-day voyage. He has chosen his largest elephant, Obolus, to use in the training of his men. During the loading the animal onto a ship, Obolus killed his longtime handler. The girl, Liada, is the only other person who can control the temperamental elephant. After she succeeds in guiding Obolus up the ramp and onto the deck of the ship, Hannibal asks her to go with the elephant to Iberia. Liada is reluctant to leave her friends at Carthage, but she’s also concerned about Obolus’ safety on the long voyage. She decides to leave her friends and take care of Obolus.
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When the Elephants Dance: A Novel
When the Elephants Dance: A Novel
Tess Uriza Holthe Biographies&Memoirs
“Papa explains the war like this: ‘When the elephants dance, the chickens must be careful.’ The great beasts, as they circle one another, shaking the trees and trumpeting loudly, are the Amerikanos and the Japanese as they fight. And our Philippine Islands? We are the small chickens.” Once in a great while comes a storyteller who can illuminate worlds large and small, magical and true to life. When the Elephants Dance introduces us to the incandescent voice of Tess Uriza Holthe, who sets her remarkable first novel in the waning days of World War II, as the Japanese and the Americans engage in a fierce battle for possession of the Philippine Islands. The Karangalan family and their neighbors huddle for survival in the cellar of a house a few miles from Manila. Outside the safety of their little refuge the war rages on—fiery bombs torch the beautiful Filipino countryside, Japanese soldiers round up and interrogate innocent people, and from the hills guerillas wage a desperate campaign against the enemy. Inside the cellar, these men, women, and children put their hopes and dreams on hold as they wait out the war, only emerging to look for food, water, and medicine. Through the eyes of three narrators, thirteen-year-old Alejandro Karangalan, his spirited older sister Isabelle, and Domingo, a passionate guerilla commander, we see how ordinary people must learn to live in the midst of extraordinary uncertainty, how they must find hope for survival where none seems to exist. They find this hope in the dramatic history of the Philippine Islands and the passion and bravery of its people. Crowded together in the cellar, the Karangalans and their friends and neighbors tell magical stories to one another based on Filipino myth and legend to fuel their courage, pass the time, and teach important lessons.
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