we are venom Audiobooks

Get healthy on their own—or stay sick together? At Recovery and Relief, a treatment center for girls with eating disorders, the first thing Shoshana Winnick does is attach herself to vibrant but troubled Rowan Parish. Shoshana—a cheerleader on a hit reality TV show—was admitted for starving herself to ensure her growth spurt didn’t ruin her infamous tumbling skills. Rowan, on the other hand, has known anorexia her entire life, thanks to her mother’s “chew and spit” guidance. Through the drudgery and drama of treatment life, Shoshana and Rowan develop a fierce intimacy—and for Rowan, a budding infatuation, that neither girl expects. As “Gray Girls,” patients in the center’s Gray plan, Shoshana and Rowan are constantly under the nurses’ watchful eyes. They dream of being Blue, when they will enjoy more freedom and the knowledge that their days at the center are numbered. But going home means separating and returning to all the challenges they left behind. The closer Shoshana and Rowan become, the more they cling to each other—and their destructive patterns. Ultimately, the girls will have to choose: their recovery or their relationship

Allison fell in love with Ethan Iversen, the soon-to-be Alpha of the Moonlight Crown pack. She always wanted him to notice her. Meanwhile, Ethan was an arrogant Alpha who thought a weak Omega could not be his companion. Ethan's cousin, Ryan Iversen, who came back from abroad and was the actual heir of the pack, never tried to get the position nor did he show any interest in it. He was a popular playboy Alpha but when he came back to the pack, one thing captured his eyesand that was Allison.

After the great success obtained with ”The mystery of the book”, Angelo Grassia returns with his second book, a story full of mystery, love and feelings. ”Finally we are here” is the continuation of ”The mystery of the book”. Laura, a beautiful girl with green eyes, after reading ”The mystery of the book”, impressed by the story decides to contact the author for more information. The two meet at the Bar Bazzanti in Gaeta, the same Bar where last year he had known Sabrina, another beautiful girl with green eyes. Laura tells she was fascinated by the story, and she bought from the same second-hand dealer a ring belonging to Claudia and also a postcard Vittorio had sent just before they became husband and wife. This was the last postcard left. The only one missing from Angelo's collection. Laura shows it to him and Angelo is impressed. He thinks it was Fate who sent Laura with that postcard and the message written on it was directed to him. On the postcard there was written: Finally we are... with love, Vittorio. From this message Angelo understands it is now time to publish the entire manuscript of Vittorio, he had received as a gift the year before from a junk dealer never seen before. The manuscript tells about the mutual feelings between father and son, and about the beautiful love story between Vittorio and Claudia, they were engaged to meet in a street in Como called ”the street of the stars”, where the stars , in fact, with their magical splendour they seemed to be whispering: ”Love yourselves... The best thing in life is love!”

EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.<br><br>Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.