Biographies&Memoirs Audiobooks - page 2

Once there was a time when Romagna was named Flaminia and the Rubicon was not only a river. When in 49 BCE Julius Caesar arrived he found waiting for him a wooden palisade coloured ruby red where he deployed his legions for several months on that border defended by the legionaries of Pompeo. But who and for what reason was it built, even before Caesar was born, a red line of defence built even to the sea and what would Caesar and his legions do to breach it? <br><br>Born out of the historical events that have never before been seen, this book will lead you to discover for the first time what the Rubicon really was, what did the legionaries of Caesar do when they decided to attack Rom and many other unpublished news that you never even suspected and will lead, step by step, to discover for the first time: • What was the Rubicon really? • Who and for what reason was it constructed even before the birth of Caesar? • Why have historians never been able to agree about where the Rubicon was? • What plans and strategies did Caesar employ to cross it? • And Pompeo’s legions in its defence? • Had someone made a curse against whoever dared to cross it armed? • Did Caesar and his legions had nightmare from the ‘Malanotte’ before crossing it? • What was Romagna and what did it symbolise in the time of Caesar? • What was the festival of ‘New Years’ that took place in Roma? • What Latin insults did their legions tell each other? And much other unpublished news that you have never suspected. A book that for the first time will cast on the historical darkness left to fall on these events.

“Papa explains the war like this: ‘When the elephants dance, the chickens must be careful.’ The great beasts, as they circle one another, shaking the trees and trumpeting loudly, are the Amerikanos and the Japanese as they fight. And our Philippine Islands? We are the small chickens.” Once in a great while comes a storyteller who can illuminate worlds large and small, magical and true to life. When the Elephants Dance introduces us to the incandescent voice of Tess Uriza Holthe, who sets her remarkable first novel in the waning days of World War II, as the Japanese and the Americans engage in a fierce battle for possession of the Philippine Islands. The Karangalan family and their neighbors huddle for survival in the cellar of a house a few miles from Manila. Outside the safety of their little refuge the war rages on—fiery bombs torch the beautiful Filipino countryside, Japanese soldiers round up and interrogate innocent people, and from the hills guerillas wage a desperate campaign against the enemy. Inside the cellar, these men, women, and children put their hopes and dreams on hold as they wait out the war, only emerging to look for food, water, and medicine. Through the eyes of three narrators, thirteen-year-old Alejandro Karangalan, his spirited older sister Isabelle, and Domingo, a passionate guerilla commander, we see how ordinary people must learn to live in the midst of extraordinary uncertainty, how they must find hope for survival where none seems to exist. They find this hope in the dramatic history of the Philippine Islands and the passion and bravery of its people. Crowded together in the cellar, the Karangalans and their friends and neighbors tell magical stories to one another based on Filipino myth and legend to fuel their courage, pass the time, and teach important lessons.

This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. It describes my experiences, imaginatively the memories of a good in the land of evil. Diary written in a simple way, a textual form to fill even an absence of complete information about the right to good, which characterizes an insensitivity in public and journalistic publications. A phenotype inclusive of modern material, Christian and Arabic objectivity. It wants to represent a door to the future, a new party. The period of the eighteen letters contained reaches from August 2005 to March 2007.