loud house lincoln x lynn Audiobooks

A closed room in her newest fixer-upper leads Indiana house-flipper Jazzi Zanders to reopen a chilling cold case involving a high school girl . . . Jazzi, her cousin Jerod, and her husband Ansel are preparing to renovate a charming house that reminds her of an English manor. Before purchasing it, they had inspected the house for structural issues, but now when they do a more thorough walk-through, they discover a teenage girl's bedroom that clearly hasn't been touched in years. Dust covers the pink canopy bed, clothes still hang in the closet, and a hope chest remains full of journals and memorabilia. They've stumbled on a shrine to a dead girl. They learn Jessica was killed in the middle of her high school graduation party. The murderer was never identified, but the brother-in-law of Jazzi’s friend, who went to school with Jessica, was suspected and never lived it down. He implores Jazzi to review the cold case and finally prove him innocent. Now it’s up to the house-flipper to nail a killer who will do anything to close the door on the past . . .

In 1994, Lizbeth Meredith said good-bye to her four- and six year-old daughters for a visit with their non-custodial father only to learn days later that they had been kidnapped and taken to their father's home country of Greece. Twenty-nine and just on the verge of making her dreams of financial independence for her and her daughters come true, Lizbeth now faced a $100,000 problem on a $10 an hour budget. For the next two years fueled by memories of her own childhood kidnapping Lizbeth traded in her small life for a life more public, traveling to the White House and Greece, and becoming a local media sensation in order to garner interest in her efforts. The generous community of Anchorage becomes Lizbeth's makeshift family one that is replicated by a growing number of Greeks and expats overseas who help Lizbeth navigate the turbulent path leading back to her daughters.

Free-spirited Grace Sheldon is used to living on a tight budget as a freelance photographer. But nothing short of a miracle could produce the thirty thousand dollars she owes on the house she’s inherited. Without steady employment, the bank refuses to give her a loan. Working a temp job won’t give her nearly enough, but she’ll take any little bit she can get until she figures out a solution. Her first day, though, she realizes this is no ordinary office—and her handsome new boss is no ordinary man. After Sawyer Rivera’s well-planned career in Seattle officially imploded all he’s looking for is a small beach town where he can open a dog training facility and start a simple life. Except, his new office assistant is anything but. Grace is carefree, artsy, and doesn’t know a thing about dogs. The woman has pet chickens! She’s also funny, kind, and the best part of his day. Grace is his complete opposite—and completely refreshing. But when her month of temp work is over, she could disappear from his life for good. Sawyer realizes he has just one chance to try to change their fate.

High summer in River Bluffs, Indiana, is always sweltering and sweet. But the heat is really on when a decidedly dead body turns up in the neighborhood. When established house flippers Jazzi Zanders and her cousin Jerod donate a week’s worth of remodeling work to Jazzi’s sister Olivia, they’re expecting nothing more than back-breaking roofing work and cold beers at the end of each long, hot day. With Jazzi’s live-in boyfriend and partner Ansel on the team, it promises to be a quick break before starting their next big project—until Leo, an elderly neighbor of Olivia’s, unexpectedly goes missing . . . When the friendly senior’s dog tugs Jazzi and the guys toward the wetlands beyond Olivia’s neighborhood, they stumble across a decomposing corpse—and a lot of questions. With Jazzi’s pal Detective Gaff along to investigate, Jazzi finds her hands full of a whole new mystery instead of the usual hammer and nails. And this time it will take some sophisticated sleuthing to track down the culprit of the deadly crime—before the killer turns on her next . . .

Blending Families responds to the need for a book that explores step-parenting by starting with the marriage as the central relationship in a new blended family unit. Just as you are better able to help your child in an airplane emergency if you put your oxygen mask on first, you are better able to blend two families if you take care of the marriage first. Starting with a discussion of attachment styles, the authors explore how those styles translate into the new family unit when trying to forge a new marriage while parenting tween and teen children in a family unit that is new to them as well. They provide parenting guidance premised on the fact that parenting occurs within a context, and in this case, a context that is unfamiliar territory for everyone involved. Using true stories throughout, they explore the variety of challenges that may arise, such as sibling rivalry, puberty, dating, emotional and intellectual differences, and preferential treatment, and offer suggestions for overcoming obstacles to fully blending. By focusing the light on the marriage as the most important source of stability, the authors encourage readers to develop a style of parenting that works for everyone and brings a sense of unity and strength to the household.

Karnie works in her family's butcher shop. When Donna Amick stalks to the meat display case and tries to pressure her to leave the family business to work for her, Karnie turns her down, flat. But Donna doesn't like to take "no" for an answer. The next morning, Donna's body is found behind A Cut Above with a meat cleaver embedded in the back of her head. Detective Carmichael's top suspect is Sam Lessman, who trained at their shop and then went to work for Donna as a full time butcher. Karnie knows it can't be him and decides to prove it. Unfortunately, that's a lot harder to do in real life than it is in the mysteries she reads.

Even in a lovely town like River Bluffs, Indiana, flipping houses can be a challenge. Especially when there’s the proverbial skeleton in the closet—and a literal corpse in the driveway . . . House-flipper Jazzi Zanders has her work cut out for her. Her latest flip, which she co-purchased with her fiancée Ansel and cousin Jerod, is a three-story fixer-upper that’s more of a droopy-downer. One corner of the house is sinking and needs to be jacked up with a new cement foundation. That costs money. And causes headaches. And creates a work environment that’s not only hostile, it’s downright deadly . . . Jazzi knows it’s a tough job. Which is why she hired Darby to lay the cement. But when Darby gets into a fiery argument with the furnace man—and then never shows up to lay gravel for the driveway—Jazzi starts to wonder if the rumors about Darby are true. Did he kill his wife and son and bury them in the yard like some folks claim? When Darby’s dead body comes pouring out of a gravel truck, murder upstages the real estate market as her biggest concern . . .

In addition to her house-flipping talents, Jazzi Zanders is breaking ground as a sleuth. But she’s going to need every tool at her disposal to solve two crimes . . . In their hair salon, Jazzi’s sister Olivia and mother are savvy businesswomen whose creativity brings fashion and flair to the folks of Rivers Bluff, Indiana. So when their newest hairstylist Misty is caught scamming clients’ debit cards and selling beauty products during off hours to pocket the profits, Olivia fires her. But Misty retaliates by hitting back with a defamation lawsuit—which she is more than happy to drop if Olivia pays her ten grand. But neither blackmail nor courtroom fees are accrued after Misty’s body is discovered in the salon with Olivia’s scissors stuck in her chest. Olivia may be the number one suspect, but her murdered employee had a reputation for making enemies. Then Jazzi’s ex Chad appears, asking for help with his marital strife. This already awkward situation worsens when Chad’s wife vanishes and the police investigate him. Now, it’s up to Jazzi to clear both her sister’s and ex’s names while the killer—or killers—could be a mere hair breadth’s away . . .

In this international bestseller by the award-winning novelist Mariana Leky, a heartwarming story unfolds about a small town, a grandmother whose dreams foretell a coming death, and the young woman forever changed by these losses and her loving, endearingly oddball community On a beautiful spring day, a small village in Western Germany wakes up to an omen: Selma has dreamed of an okapi. Someone is about to die. Luisa, Selma’s ten-year-old granddaughter, looks on as the predictable characters of her small world begin acting strangely. Protesting that they are not superstitious, each of the villagers grapples with the buried secrets and deferred decisions that have suddenly become urgent in the face of death. Luisa’s mother struggles to decide whether to end her marriage. An old family friend, known only as the optician, tries to find the courage to tell Selma he loves her. Only Sad Marlies remains unchanged, still moping around her house and cooking terrible food. But when death finally comes, the circumstances are outside anyone’s expectations. Across three defining moments in her life, Luisa grapples with life's big questions alongside her devoted friends, young and old. A story about the absurdity of life and death, a bittersweet portrait of village life and the wider world that beckons beyond, it is also a thoughtful meditation on the way loss and love shape not just a person, but a community. Mariana Leky's What You Can See from Here is a charmer―a moving novel of grief, first love, reluctant love, late love, and finding one's place in the world, even if that place is right where you started.

The charming homes of River Bluffs, Indiana, make perfect projects for house-flipper Jazzi Zanders. Less charming is her hothead brother-in-law, who's a bit of a fixer-upper himself. But could he also be a murderer? Jazzi married her gorgeous contractor Ansel— not his family. But somehow she keeps living with them. So she's delighted to help Ansel's brother Radley move out of their home and into his own place, in the same building as his work supervisor, Donovan. But when Donovan is shot and his apartment ransacked following an argument with Ansel and Radley's older brother Bain, their sibling becomes a suspect—especially after his missing gun turns up as the murder weapon. Told not to leave town by Detective Gaff, big brother moves in with . . . Jazzi and Ansel. Now Jazzi needs to prove Bain's no killer, not only to keep him out of jail—but to get him out of their house. What was the killer looking for in Donovan's apartment? And what will happen to the next person who gets in the way?