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Kenzie Wright needed a rebound guy and a flirtatious billionaire was the perfect lad to do the job. Much to her surprise, the same striking man, Andrew Kentworthy, was determined to marry her in a flash. ***"Step one, leave the country. Done. Step two, find a rebound,” Kenzie reminded herself after stepping inside an exclusive bar. Her eyes scanned every corner of the establishment and after spotting the best candidate, she carried out, “Bingo!”Kenzie strolled eagerly toward a tall and handsome stranger. She held onto his muscular arm and said, “Hi there, sweetie. There you are. I’ve been looking all over for you.”She envisioned several scenarios in her head, concluding how it would play, but the man’s reaction was not quite as she expected.With a smirk on his face, the man answered, “Well, if it isn’t my lovely wife. I knew you could not get out of bed after what we did last night.”'Wait. What? Last night? Wife?’ Before Kenzie could even counter, his lips crashed into hers, hungrily tasting her luscious rims.'Shameless!’ She silently screamed, her eyes beaming at the gorgeous man while her knees weakened to his minty taste.Regardless of the man’s words, Kenzie confirmed the stranger was the perfect rebound, and maybe… just maybe… even more.***Book 3 of the Wright Family SeriesBook 1: Mommy, Where Is Daddy? The Forsaken Daughter's ReturnBook 2: I Kissed A CEO And He Liked ItBook 4: I Fell For The Boy His Daddy Was A BonusNote: Each story can be read as a standalone.

Flash writings are very very short writings but flash writings can introduce very important ideas. Writing flash works is not an easy task. Long works have a wide space to move in. This ebook contains some flash writings such as “The World After Coronavirus”, “Travelling Recreates Your Thinking”, “Frozen Water”, “The Nightmare” and others.

Longtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the “rights” and “wrongs” of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Editor was born. Saller’s ideas struck a chord, and the little book with big advice quickly became a must-have reference for copy editors everywhere. In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be “difficult.” Saller’s own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today’s publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular. Saller maintains that through carefulness, transparency, and flexibility, editors can build trust and cooperation with writers. The Subversive Copy Editor brings a refreshingly levelheaded approach to the classic battle between writers and editors. This sage advice will prove useful and entertaining to anyone charged with the sometimes perilous task of improving the writing of others.